Data

The film market in 68 stocks

Every stock in our database, counted by type, speed, grain and price tier. Four things stand out — and one of them is that colour slide film has no cheap option left.

Method. All 68 entries in the Openfilm film stock database (September 2026), grouped by the editorial fields described on the open data page. Price tiers are relative — 1 budget, 2 mid, 3 premium — not live prices. Every number here is reproducible from the dataset: JSON or CSV. This is a curated catalogue of what is currently sold and what photographers still shoot, not a census of every emulsion ever made.

1. Black and white is the majority — and it is never the premium option

39 of 68 stocks (57%) are black and white, against 25 colour negative and only 4 colour slide. More striking than the headcount is the price structure: not one of the 39 black and white stocks sits in the premium tier, while 8 of 25 colour negative stocks do.

Stocks by type
Black & white39
Color negative25
Color slide / reversal4
Share of each type priced premium (tier 3)
Black & white0%
Color negative32%
Color slide / reversal100%

The practical reading: if you are paying for film on a budget, black and white is where the cheap quality is. The premium you pay for colour is not grain or format — it is the chemistry.

2. Two speeds are 63% of the market

ISO 100 (21 stocks) and ISO 400 (22 stocks) account for 63% of everything in the database. Everything else — ISO 50, 125, 160, 200, 250, 500, 800, 1600, 3200 — shares the remaining 37%. Photographers are not choosing between many speeds; they are choosing between two, and occasionally leaving the reservation.

Stocks by nominal speed
ISO 100 or slower28
ISO 125–25011
ISO 40022
ISO 500–8004
ISO 1600 or faster3

3. Colour slide is a premium niche with no entry point

There are 4 slide stocks in the database, and 4 of 4 are premium tier. That is the opposite of every other category: you cannot start shooting slide film cheaply, because there is no cheap slide film. It also explains the format pattern below — slide film survives where large, deliberate images are the point.

4. Emulsion choice is a 35mm and 120 story

64 of 68 stocks are available in 35mm and 50 in 120 — so medium format shooters give up only 14 stocks out of 68. Sheet film is the real filter: only 20 stocks are cut for it.

Stocks available in each format (bulk rolls counted separately)
35mm64
12050
sheet20
35mm (bulk)4
120 (bulk)3

The rest of the picture

Stocks by grain character
Very fine18
Fine20
Medium19
Coarse10
Very coarse1
Largest brands by number of stocks
Kodak17
Fujifilm9
Ilford8
Lomography8
Rollei6
Adox3
CineStill3
Foma3

Check it yourself

The dataset is free and versioned: JSON, CSV, and a citable snapshot on GitHub (CC BY 4.0). Browse the full table in the film stock database, or pick a stock by intent with the film finder. Spotted a wrong spec? The open data page explains provenance and how to send a correction.